I'm an advertising photographer/videographer based in Los Angeles, California. My mission is to create striking advertising photography, corporate photography and editorial photography of people for major advertising agencies, fortune 500 corporations and major magazines. I shoot photography and video assignments throughout California including Los Angeles, San Francisco, San Diego as well as the rest of the world. As a photo educator I am happy to share my unique vision and methods. I'm currently also teaching classes at Santa Monica College in video production for professional photographers and photography students.

Record Audio by Listening First

Posted: May 12th, 2011 | Author: Lee White | Filed under: Education, Sennheiser, video production | Tags: , , , , , , | No Comments »

It’s easy to record audio if you take a few simple steps.  As an extension of my Photo 29 class “Video Production for Still Photographers” in the photography department at Santa Monica College, David Missall of Sennheiser gave a seminar on recording good sounding audio for video and film.  Of the many things David said that captured my attention, his suggestion about one part of listening was very intriguing.

When we do our location scout, we should already know to listen as well as look to hear if there is going to be any audio capture problems.  Busy street noise, school nearby, construction even air-conditioning or a noisy refrigerator can all cause problems with audio. Of course, we also look to see if we see anything that might create a problem is not happening at the time we are there like is there construction nearby that might be busy most of the day but we are scouting at 6pm in the evening.

We also know that in residential areas the weekday day is probably the quietest time and corporate areas the reverse is true.  Late night might be the only time for business areas although some business areas might follow the residential and corporate area sound pattern.

Stopping and listening to the location at the shoot is also important to pick up on any problems that might affect the audio capture at the time of the shoot.  Things change and the weather might have change so now a heater or air-conditioner might be on that was not on during the scout.

One of David’s suggestions that struck me was to listen to the subject to get a feeling for exactly what the subject sounds like to your own ears.  Have the talent talk naturally for a few minutes.  Walk around the talent and listen to how they sound.  How can we expect to set the audio up right if we have not heard the subject naturally first?  Once we have heard the sound we are after it will be much easier to tell if we are coming as close as possible to it.  Maybe you’ll find placing the microphone closer or further away is called for to get the right sound.  Maybe switching from an omni-directional to shotgun or the reverse might do the trick.

A quick mention here about the Sennheiser ME series I use.  It is very quick to switch from a ME62 omni-directional capsule to a ME66 shotgun capsule or any of the other ME capsules by just screwing them on the K6 power module already in the shock mount.  This interchangeable saves time, space and cost as you are not buy a whole new microphone for each type of microphone, you just buy a capsule with the desired pickup pattern of omni-directional through long gun.  You can find out more about Sennheiser at http://www.sennheiserusa.com/home.

As I write this, the neighbor’s hound has started to howl, my black lab barks at every delivery truck that goes by and a very loud vintage biplane from the nearby airport is circling above.  So good luck if you ever try and capture clean sound in my neighborhood.

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Video class for photographers starting very soon.

Posted: April 4th, 2009 | Author: Lee White | Filed under: Canon, Education, Lighting, Workflow, video | Tags: , , , , , , , , , | No Comments »

Ready to expand from still photography to HD video? Before you take the plunge, sign up for a highly informative class at Santa Monica College designed to take the photographer through all the steps of preproduction, production and postproduction while building on the skills he already has given by Los Angeles advertising photographer Lee White. By the end of the class, an experienced photographer should be able to start producing short form videos.

The class will cover DSLRs with HD video capabilities as well as traditional video cameras , workflow, treatments, estimating, planning, digital formats, camera techniques, lighting equipment and techniques, sound equipment and techniques, narrative techniques, editing with Final Cut Pro and output. At the first class, equipment from Canon, Panasonic, Redrockmicro, Marshall monitors, and Bogen are scheduled for discussion and viewing.

Photographers are particularly well place to learn the video skills that will add value to their services and a new creative outlet.

You need to act fast as there is limited enrollment contact lee@leewhitephoto.com

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