I'm an advertising photographer based in Los Angeles, California. My mission is to create striking advertising photography, corporate photography and editorial photography of people for major advertising agencies, fortune 500 corporations and major magazines. I shoot photography and video assignments throughout California including Los Angeles, San Francisco, San Diego as well as the rest of the world. As a photo educator I am happy to share my unique vision and methods. I'm currently teaching classes at Santa Monica College in video production for professional photographers and photography students.
Thursday August 12, Brooks Institute of Photography hosted my Secrets of Video Production on what turned out to be one of the first truly sunny summer days this season. Both students and a large number of faculty attended my presentation held in one of the school’s spacious studios. The theme was tabletop so I was able to spotlight the Indisliderpro with the Manfrotto 501 fluid head supported on Manfrotto 536 MPRO legs. Everyone was impressed with how sturdy and versatile the IndisliderPro was both when mounted on the Manfrotto legs and when placed right on the tabletop. Everyone appreciated the value of the False Color and Peaking filters of the Marshall’s monitor and enjoyed being able to see what was going on as some of the students tried out the techniques I presented. RedRockMicro’s support system and microFollowFocus was instrumental in demonstrating techniques like rack focus. The cucaloris effect of the Chimera Window Patterns added life to both the background of some setups and dappled light directly on one setup illustrating a push-in technique with the Indisliderpro. The LEDs from Litepanels were used as both main sources and kickers along with both the Lastolite Triflip and Skylite light modifiers.
Indislider Pro
Everything was shot to a RAW 16GB CF card and down loaded through the high speed RAW Firewire card reader on to LaCie harddrives supporting editing in Final Cut Pro on MacBook Pro. Along with demonstrating a number of tabletop shooting situations, I had enough time to show a very basic NLE workflow. Student received a Sonicfire Pro disk and suggestions on the use of royalty-free music in their future video and still to video productions.
The students asked lots of questions and quite a few got a chance to try the equipment for themselves in actual shooting situations.
Below is the tabletop wine video we did in the workshop.
Below is the tabletop push-in we did in the workshop.
Secrets of Video Production for Photographers is coming to Charlotte on June 18 and 19. I’m looking forward to my first visit to what promises to be a charming city.
Friday night is going to be the APA evening presentation from 6:00pm to 9:00pm at Paradox Film & digital where I give a basic outline of the process of video production. I do this keeping in mind video is an additional component to a still production. I will discuss the techniques and tools needed to do video production. See http://charlotte.apanational.com for more details.
Saturday’s workshop is always fun and informative as I have more time to really get into video production. In the morning, we look at the basics from a different point of view and then build on those basics including when to call in a post house like Rawworks to help. In the early afternoon we do some lighting and camera techniques followed by a short commercial shoot with the latest equipment from Manfrotto, Panasonic, Ziess, Marshall Electronics, Redrock Micro, Beachtek, Sennhieser, K-Tek, Hoodman, and LaCie. I then take that video into Final Cut Studio, edit it and output it for various distribution methods. The day gives anyone interested in video production a good outline to follow in video productions. See www.tiny.cc/june18 for more details.
Video production is changing by the day and can be confusing to photographers just getting into motion. Having a working understanding of the overall picture, helps give the photographer getting into video production an understanding of how to judge what equipment and software to use.
Christopher Lozano www.tlsHollywood.com did this time lapse click (MOVIE) of the LA evening presentation.
Chicago was surprising. As with the other cities, I had no doubt that the photography professionals attending would be welcoming but I had not expected the warmth they extended to me. I did both my Secrets of Video Production for photographers evening presentation and Saturday workshop at Callie Lipkin’s very spacious studio. Callie and her husband/studio manager Robert were great hosts and they have a great space that is also a rental, so if you are in need of a studio in Chicago, give them a call 773.853.2339. APA’s Midwest director Megan was indispensible in getting things set up for my events.
Everyone was intent on learning about video production as this is a no nonsense group of professionals that see video production is the next stage of the now ever-changing landscape of professional image making. They understand the days of being a pure professional photographer are fast disappearing and they are willing to take the next step, which is into video production. I had at least two photographers who drove from Columbus Ohio to attend. Two more came from Milwaukee and plan on sharing what they learned with the rest of the crew at QuadPhoto. Dave Busch of QuadPhoto was nice enough to send me an email that included the following quote, “The combination of facts, experiences and practical ideas you presented will undoubtedly save a lot of money and pain for any photographer that is just beginning to investigate video production. Plus the tools, toys, and software you shared were a real eye opener for those of us who have already started shooting HD video with DSLR. Thanks again for making the event well worth our time and the 180 miles we drove to attend!”
It was exciting to share with them some of the new development I saw at NAB a few days earlier in Vegas, including the exciting developments of Litepanels new hybrid LED that flash sync’s. Zeiss’s new cine compact prime series was well as introducing them to Zeiss’s HDSLR series lenses for Canon and Nikon cameras. Sonicfire’s new Voxal vocal albums and, of course, Redrock Micro’s upcoming wireless follow focus were just a few of the items I told them about.
I have no doubt that the Chicago professionals I met will have little problem making some great short form video content. I look forward to them sharing some of their video experiences with me.
I will admit that the first few times I walked the various halls at NAB, I was both a little lost and overwhelmed. This, of course, was before the recent flood of equipment and software directed toward smaller more independent content makers, especially those using the procomsumer video cameras and HDSLRs. The majority of the show is still directed at large productions and facilities but there is more and more short form equipment and software showing up each year.
It is so big it takes multiple days to comfortably walk through and have a chance to see even a good portion of the show. Many of the booths have demos going so you want time to stop and see them. Often there are a variety of products at each booth and so you might have to go back at a later time to catch the demo you’re most interested in. All the booths have representatives that given time will go through personal demos and entertain your questions. I got to see the latest from Manfrotto, Litepanels, Panasonic, Zeiss, RedRock Micro, Smartsound, Sennheiser, Marshall Electronics, Hoodman, K-Tek, and LaCie. This year I saw a growth in small plug-in creators for Apple products.
There are also a variety of speakers and classes on just about anything to do with every aspect of video and broadcast. A few are free and interesting but most of these cost some type of conference fee.
If you look around a bit on the web, you can usually find a free pass to the exhibit halls and depending on your pocket book this might be the best way to first experience NAB. After a few times, there you’ll get up to speed and be in the know about the latest and greatest.
By the way, 3D is all the rage this year with booth after booth touting something involving 3D. It seems to be up in the air just when and if 3D will truly become widely accepted or remain a mostly theater experience but either way you heard it here first and partly that is what NAB is about; finding out about what might be the next great hit.
News from NAB 2010. The new “Voxation Series” from SmartSound the royalty free music company I suggest gives a new dimension to customizable music for your video and multimedia productions. The brand new Voxation Series features lyric-based vocal music from talented bands and musicians. This lyric-based vocal music is still easily edited in length, arrangement and mix using Sonicfire Pro.
It works by having the instrument tracks and vocals on separate layers, which allows Sonicfire to manipulate the songs to fit the changes in your video. SmartSound is the only company that can offer this level of adjustability.
These first two albums are one by Brady Harris with melodic tunes and savvy lyrics and the other by Indie Pop/Rock band Steep with more to follow. SmartSound is going to keep the lyric driven music series growing and is working with a number of bands and musicians in developing more albums.
The pricing is $149.95 for an album and $59.95 for singles from the albums and as in the past are available online or in disk form (at a additional charge). Visit Smartsound.com for more information and hear samples.
In the last year, the idea of photographers producing video has exploded and photographers are now gearing up to take advantage of this interest. As advertisers and magazines turn to video on the web, cable and mobile devices to get out their message, there are more opportunities than ever for you to do video in tandem with your photography to capture new clients and sell video services to existing clients.
Producing video creates a fundamental change in your workflow, so you need new tools and techniques to take the step from photography to video. You need to learn what the new technologies mean to you from a photographer’s point of view. This is why Lee White has created two events to help guide you into video. The first is a two–hour evening event that will go over the steps you as a photographer need to know to create video productions. The second is a one-day workshop that will go in-depth about each step so you can start producing your own video.
The Thursday evening will include:
Companies showing the latest in video equipment and software for video suitable for photographers getting into video.
A raffle for a copy of Apple’s Final Cut Studio editing software
FREE SOFTWARE: SmartSound will give each attendee a free copy of their Sonicfire Pro 5 software along with free royalty-free music.
A presentation that covers:
- The photographer’s unique position for this new market
- The creative planning stage and new concepts photographers need to think about
- Pre-production considerations when planning a video shoot
- Understanding lighting, filming and sound techniques for video
- Post-production in the photographer’s studio
The Saturday workshop will include:
- How photographers can apply their present skills to video
- The importance of workflow including recording formats
- Estimating and planning combined photography and video productions
- Tools and techniques of video production
- Camera, lighting and grip equipment demonstrations
- Editing demonstrations
For more information on the workshop visit: Video Workshop
LEE WHITE is presently instructing two college classes on HD video production for photographers at Santa Monica College. One is an intensive six-week class for professionals and the other is a sixteen-week class for photography students at the college. Lee has been a professional advertising photographer for more than thirty years. While still a student at Art Center, College of Design, he shot images for movie posters for Twentieth Century Fox and Paramount. Shortly after starting his professional career, he became involved with photomatics for companies such as Mattel plus shooting on set and so began his career-long adventure with narrative imaging. Over a decade ago, Lee started shooting digital video for clients and has experienced video production on all levels from feature films to simple web content.
Hoodman USA